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Blue guy Group began performing in Manhattan"s Astor location Theatre in 1991. The original three, kris Wink, Phil Stanton, and also Matt Goldman, placed on a selection show featuring music ~ above PVC instruments, art, and also food stunts. Twenty-eight year later, the Blue guys are tho munching Cap"n Crunch downtown. Adhering to is a transcript that the video.

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Randall Jaynes: What is a Blue Man? and the the next answer girlfriend can gain is that is the other. That is the outsider. It"s part, friend know, what is it? Childhood. Part imagination. Part fear. Part animal. Blue Man team is an exploration. It"s one investigation into something. You"re seeking the end that i beg your pardon is disconnected, and also trying to reconnect the in a method that is playful and entertaining, and likewise unexpected, and can it is in deep and also mysterious actually.

Pete Simpson: think it or not, that did not start with a Blue guy that didn"t speak. The was v a bunch the people. It was v a central three. Chris Wink, Matt Goldman, and Phil Stanton, and their friends.

Steven Wendt: There"s a lot of stories around why the Blue men are blue. One of the creators, ns think chris Wink to be visited, choose you know, had actually a vision the a blue guy when he was a kid.

Jaynes: that feels still an extremely tied come its sort of avant garde, punk rock, guerrilla theater, humble beginnings. The is really much an aesthetic, community-wide, performance-wide that we host near and dear. So the doesn"t feeling in that way it"s adjusted that much. We are auditioning all the time. Nonstop, 24 seven. The averages about one the end of every 1,200 people. That"s the numbers.

Simpson: Oh, I had actually to go v a bunch of those auditions. That felt like, choose hazing and then you begin doing much more intensive drumming where you lug in parts of the show, wherein you"re learning present music which involves acting too. So the was around three weeks for me, and then it acquired certainly an ext systematized and also structured by the time you--

Wendt: It"s stunner to hear that.

Bhurin Sead: It"s incredible just how much the bald cap, and the makeup, and also the costume actually transforms you, and also changes you once you check out yourself in the mirror. It"s like, whoa, yeah, i am a Blue Man.

The physical transformation of gaining to it is in a Blue guy takes about fifty percent an hour. And also that involves laying under a outright cap, having actually our wardrobe help us putting it on, putting the grease repaint on, placing the costume on. And also that"s every pretty straightforward, however I feel choose the real transformation, and the real acquiring ready is arising that relationship between the three guys, through the band, with the crew, with everybody working the present that night. And also to kind of create a vibe, produce an energy and electricity that can transform chin onto the stage, right into the show.

Jaynes: there is a organic curiosity and also kind of a brightness of spirit that i think one has to either naturally have, or tap into. Crucial distinction, ns don"t think world have to walk through the door v this like, you know, I"m a Blue Man, type of crazy-eyed zing, yet you do have to tap into something the is akin to what we all had actually when we were kids.

There"s loads of music, on every sorts of monster instruments. They"re no standard. You can"t simply be a piano player and also be like, oh you obtained it! Or a drummer. Us had human being who come in and were good drummers who have actually a difficult time with details elements.

Ben Flint: The PVC instrument is the above Blue man instrument. The show in brand-new York is the initial set. It"s been roughly for end 25 years.

Andrew Schneider: one of the things that excites me around Blue Man tools is this totality three together one ide of the takes 3 of them come play this instrument, and also one of mine favorite instances is the PVC instrument that is offered in all of the shows. It"s similar to a piano in that is octave set, but you require all three Blue guys to be play it at one time and also that is a recurring design template in a lot of the tools in the show.

The drum bone is one more example. It basically has five notes total, yet it takes 3 of them come play it. Ns love that.

Sead: In the show, having those moments once you"re confront to challenge with one audience member, and you"re not speaking and also they"re no speaking, over there is a spark that happens that i feel the happens that you don"t really need to say anything. And that"s yes, really powerful, and also I feel it every night when that happens. It resonates deeply within me and it"s great.

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Simpson: The biggest urgency wouldn"t it is in a physical harm to themselves, it would be the opportunity of a damaged connection. That"d be the worst point in the Blue Man"s book.